RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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RAFFAELLO Sanzio The Coronation of Charlemagne oil painting


The Coronation of Charlemagne
1516-17 Fresco
Painting ID::  51247
RAFFAELLO Sanzio
The Coronation of Charlemagne
1516-17 Fresco
   
   
     

RAFFAELLO Sanzio The Judgment of Solomon oil painting


The Judgment of Solomon
1518-19 Fresco Loggia on the second floor
Painting ID::  51248
RAFFAELLO Sanzio
The Judgment of Solomon
1518-19 Fresco Loggia on the second floor
   
   
     

RAFFAELLO Sanzio Vision of the Cross oil painting


Vision of the Cross
1520-24 Fresco Stanza di Constantino
Painting ID::  51249
RAFFAELLO Sanzio
Vision of the Cross
1520-24 Fresco Stanza di Constantino
   
   
     

RAFFAELLO Sanzio Isaac and Rebecca Spied upon by Abimelech oil painting


Isaac and Rebecca Spied upon by Abimelech
1518-19 Fresco Loggia on the second floor
Painting ID::  51250
RAFFAELLO Sanzio
Isaac and Rebecca Spied upon by Abimelech
1518-19 Fresco Loggia on the second floor
   
   
     

RAFFAELLO Sanzio The Meeting between Leo the Great and Attila oil painting


The Meeting between Leo the Great and Attila
1514 Fresco
Painting ID::  51251
RAFFAELLO Sanzio
The Meeting between Leo the Great and Attila
1514 Fresco
   
   
     

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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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